Showing posts with label COVER. Show all posts
Showing posts with label COVER. Show all posts

Sunday, May 22, 2011

COVER: Richmond Barth� / Sculpture Review / Spring 2011


Richmond Barth�s 1959 bronze masterpiece The Awakening of Africa graces the cover of the spring 2011 issue of Sculpture Review magazine. The edition is dedicated entirely to African American Sculpture and provides an excellent overview of key African American figurative sculptors.
The articles included are:
�         �Young, Gifted, and Black Between the Wars - Richmond Barth�s Manhattan Years� by Margaret Rose Vendryes (author of Barth�: A Life in Sculpture) which bears witness to the artist�s life and work during the years 1929 to 1949.

�         �Sculpting a Lineage - Elizabeth Catlett and African American Women Sculptors� by Melanie Anne Herzog (author of Elizabeth Catlett: An American Artist in Mexico) which centers primarily on Catlett but also covers artists Edmonia Lewis, Augusta Savage, and Meta Vaux Warrick Fuller.

�         �Four African American Sculptors - A Vision for Today� by Jodie A. Schull which touches on the artistic achievements of Sargent Johnson, Richard Blake, Ed Dwight, and Ed Hamilton.

Sculpture Review is a publication of the National Sculpture Society.

Thursday, May 19, 2011

COVER: Glenn Ligon / Art in America / May 2011


Glenn Ligon�s midcareer retrospective Glenn Ligon: America is the cover story of the May 2011 edition of Art in America magazine. (Click here to read article �Stranger in America� by Carly Berwick online.)
Additional articles featuring and/or mentioning black visual artists:
�    Kara Walker Q&A with Steel Stillman about �her personal background, the evolution of her well-known cut-paper pieces and films, and how issues of gender and race have informed her latest text-based works.�

�    Dawoud Bey�s blog is mentioned by Peter Plagens in �Mamas, Don�t Let Your Artists Grow Up To Be Critics� an essay about artists who write critical art reviews.

�    Nick Cave cited in Faye Hirsch�s article �The Everyone Artwork� which argues �the advantages, and the pitfalls, of digital democratization.� (Click here to read online.)

�    David Hammons exhibit at L&H Arts reviewed by Kristen Swenson. (Click here to read online.)

�    Valerie Cassel Oliver, senior curator at the Contemporary Arts Museum, Houston is    mentioned in the ArtWorld column.

�    Holly Hotchner, Director of the Museum of Arts & Design, NY writes a letter to the editor responding to the publication�s unfair commentary regarding MAD�s recent exhibit �The Global Africa Project.�


Tuesday, May 3, 2011

Sunday, February 27, 2011

"Future Lovers"-Remixes by PortuX-3891's

"Future Lovers"
Remixed By Portux-3891's
2011/01/03
_____________________

Songs:

Future Lovers (PortuX-3891's Fuck The World Radio Mix)
Future Lovers (PortuX-3891's Fuck The World Vocal Mix)
Future Lovers (PortuX-3891's Fuck The World Single Cover)

"Future Lovers"-Remixes by PortuX-3891's

"Future Lovers"
Remixed By Portux-3891's
2011/01/03
_____________________

Songs:

Future Lovers (PortuX-3891's Fuck The World Radio Mix)
Future Lovers (PortuX-3891's Fuck The World Vocal Mix)
Future Lovers (PortuX-3891's Fuck The World Single Cover)

Monday, February 21, 2011

POST: Glenn Ligon / Modern Painters / February 2011

Article by Daniel Kunitz / Photograph by Keziban Barry

Asked about the paintings in his tidy Brooklyn studio, Glenn Ligon jocularly claims they�re "just wampum. I don�t even make work to sell anymore. I just make it to trade." For what? you might wonder. "All those artists that I can�t really afford to buy." His numerous collectors will, no doubt, hope he�s kidding. Whatever Ligon hasn�t already traded away can be seen in "Glenn Ligon: America," a 25-year retrospective that opens March 10 at the Whitney Museum of American Art, in New York. He has also contributed to a volume that will be published this spring. "A People on the Cover" explores the cultural and political history of black people by analyzing the images and graphics on the front of books written by and about them.

To view items from the artist's studio, with Ligon's accompanying commentary,
click on the slide show at:

Monday, January 31, 2011

ARCHIVE: Chris Ofili / Art In America / January 2000


In January 2000, a detail of Chris Ofili's 1999 painting Third Eye Vision (comprised of acrylic, collage, glitter, resin, map pins and elephant dung on canvas) vaingloriously stretched across the cover of Art In America magazine. In the accompanying article "Ofili's Glittering Icons" art critic Lynn MacRitchie wrote: "Ofili works his themes over and over again. In the process, the street-smart references he so much enjoys sampling from urban culture are being gradually incorporated into a more formal vocabulary which seems to be taking the work forward into its next phase." 
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